Alan Goldstein: Merging Architecture with Nature

Alan Goldstein, b. 1938, Upriver from Lumberville: Walking Bridge II, 1984, oil on canvas, James A. Michener Art Museum, purchased with funds provided by Anne and Joseph Gardocki.

Alan Goldstein, b. 1938, Upriver from Lumberville: Walking Bridge II, 1984, oil on canvas, James A. Michener Art Museum, purchased with funds provided by Anne and Joseph Gardocki.

Alan Goldstein is an abstract painter who works predominantly with paint, ink and mixed media. He has experimented with diverse media, including tar, rope, steel, and fabric.

Goldstein started his formal schooling by studying architecture, the art or practice of designing and constructing buildings. Do you see anything in Upriver from Lumberville that reminds you of architecture?

Architecture continues to inspire the things Goldstein includes in his work. After looking at this painting, look at some photographs taken of local Bucks County buildings. Better yet, travel around the county. Do you see any elements in the buildings that look like they could be part of Goldstein’s painting?

In addition, the natural beauty of Bucks County inspires Goldstein. He enjoys traveling around the countryside finding views of hills, rivers, stonewalls, meadows and forests that interest him. Sometimes he sketches his ideas, sometimes he photographs them, and sometimes he simply remembers the images for a future work of art. When Goldstein photographs his work, he often combines different photographs in a collage.  He then uses the collage as a basis for his paintings, a technique used in Upriver from Lumberville. He finds patterns in the repetition of roads, rivers and trees. His colors come from nature, though like any artist he changes the colors in order to have a successful composition. Look carefully at Upriver from Lumberville.  What in nature can you find in this painting? How is this painting a landscape? Read More »

Posted in Artworks, Permanent Collection | Tagged

Alan Magee: Exploring Other Art Forms

Countermeasure, 2004, Alan Magee, (b. 1947), acrylic on canvas, H. 50 x W. 75 inches, James A. Michener Art Museum. Museum purchase funded by the Janus Society. Copyright 2004, Alan Magee.

Countermeasure, 2004, Alan Magee, (b. 1947), acrylic on canvas, H. 50 x W. 75 inches, James A. Michener Art Museum. Museum purchase funded by the Janus Society. Copyright 2004, Alan Magee.

Alan Magee does many things in addition to the paintings he creates for museums and galleries. Alan creates an occasional book or magazine illustration and designs note cards and t-shirts. He also does folk art and makes puppets for animated films.

Alan creates an occasional book or magazine illustration and designs note cards and t-shirts and enjoys working in a variety of media and methods. He finds it all challenging, and he thinks it is a nice way to combine the high art museum and gallery experience with everyday art that is available to many people.

Alan really enjoys seeing people wear the t-shirts he designs. He feels even that is an artistic experience, where the artist and the wearer of the shirt work together to make something creative happen. Alan once said: “I love to see somebody walking around with one of my more outrageous t-shirts on; we share the joke at that moment even though that person doesn’t know I’m seeing him. It’s a nice feeling that’s quite different from seeing my painting on a gallery wall or having that painting purchased.”

Did you ever imagine that when you wear a t-shirt you are an extension of the artist who made it? Did you ever imagine walking down the street and seeing or being seen by the artist who made your t-shirt? Read More »

Posted in Artworks, Permanent Collection | Tagged

Collections Highlight: Contemporary Photographer, H. Scott Heist

Scott H. Heist, (b.1949), Alexander Calder and White Cascades, 1976, gelatin silver print on paper, H. 20 x W. 16, James A. Michener Art Museum. Museum purchase.

H. Scott Heist, (b.1949), Alexander Calder and White Cascades, 1976, gelatin silver print on paper, H. 20 x W. 16, James A. Michener Art Museum. Museum purchase.

Do you recognize the sculpture in the background of this photograph? It is a sculpture by the artist, Alexander Calder, who is featured in this photograph. The photographer of this work, H. Scott Heist, is a contemporary artist and essayist that currently lives in Durham, PA.

There are many interesting things to note about this photograph; the first of which is that it features the largest mobile in the world called White Cascade completed by Calder in 1976. This sculpture can be seen in the Federal Reserve Bank of Philadelphia, in the Eastburn Court. The sculpture took only two days to install in this space. It is approximately 100 feet tall, and weighs close to 10 tons! This was the site of the artist’s last major installation before his death. Calder was well-known for his moving or kinetic sculptures, or “mobiles”, which received their name by the French artist, Marcel Duchamp. His non-kinetic sculptures, or stationary works, were called “stabiles”, named by artist Jean Arp. Read More »

Posted in Artworks, Permanent Collection | Tagged

Astrid Bowlby Deinstalls Her Work, SNAG

Astrid Bowlby deinstalling her work, SNAG, January 10, 2011. Photo courtesy of Education Department, James A. Michener Art Museum.

Astrid Bowlby deinstalling her work, SNAG, January 10, 2011. Photo courtesy of Education Department, James A. Michener Art Museum.

Today, artist Astrid Bowlby is here deinstalling her work, SNAG, from our Putman-Smith Galleries. She has brought a small crew of helpers to assist her in taking her work down. Each piece of this work must be individually wrapped for safe transport. In addition, our Exhibitions Registrar, will be helping her transport the materials back to her studio.

Along with carefully packing all the components, it was also necessary to photograph many detail shots of this work before it came down. These photos are particularly useful if the work is installed in a different gallery space. Often contemporary artists are part of the installation and deinstallation process in museums and galleries. In the event that they are not available, museum installers and curators must use the photographs as a reference. Read More »

Posted in Art Speaks: Contemporary Connections with the BCIU Collection, Artworks, Exhibitions | Tagged

Sneak Peak: Ordinary to Extraordinary Installation

YouTube Preview Image This video features some behind-the-scenes footage of the work that is being done in preparation for the Art Speaks installation, Ordinary to Extraordinary. Patricia Goodrich, guest curator, shares information about the background of the project. The installation opens December 14th!

Posted in Art Speaks: Contemporary Connections with the BCIU Collection, Exhibitions, Video | Tagged