January’s Mystery Image Revealed: Phillip L. Powell’s Door and Surround

Phillip Lloyd Powell (1919-2008), Door and Surround, 1967, Stacked carved softwoods, polychromed, James A. Michener Art Museum, Museum Purchase with Funds provided by Sharon B. and Sydney F. Martin.

Phillip Lloyd Powell (1919-2008), Door and Surround, 1967, Stacked carved softwoods, polychromed, James A. Michener Art Museum, Museum Purchase with Funds provided by Sharon B. and Sydney F. Martin.

Walking through the galleries, you can’t miss Phil Powell’s brightly colored door, carved with various designs and painted in shades of yellow, orange and red. This month’s mystery image captured a small segment of this door, currently installed in the Putman-Smith Gallery at the Museum. This door was part of Powell’s earliest residence in New Hope, PA.

In looking closely at this work, it reminds me of various doors to buildings I have seen in my travels over the years. The door’s characteristics remind me of the carvings and decorative elements found in the architecture of Spain, such as in the Alhambra in Granada and the Alcázar in Seville.  It also reminds me of doors and grand entrances I encountered in India, such as the Taj Mahal in Agra and the Jama Masjid in Delhi. This work also echos the same feeling and presence found in the doors of Gothic cathedrals in France, such as in the Cathedral at Rouen, painted by the French Impressionist, Claude Monet in the late 1800s. So, it’s no surprise that the travels that Powell made to countries such as Spain, Portugal, England, Sicily, India, and Morocco, were a key part of the artist’s creative inspiration for his work. He took the carvings and decorative elements of these cultures and infused them to create his own personal style. He stated, ““travel influences my work the most – for the awareness of what’s been done.” Read More »

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The Industrial Landscapes of Charles Rosen

Charles Rosen (1878-1950), The Roundhouse, Kingston, New York, 1927, oil on canvas, H. 30.125 x W. 40.25 inches, James A. Michener Art Museum. Gift of the John P. Horton Estate.

Charles Rosen (1878-1950), The Roundhouse, Kingston, New York, 1927, oil on canvas, H. 30.125 x W. 40.25 inches, James A. Michener Art Museum. Gift of the John P. Horton Estate.

For those of you who were stumped on October’s mystery image, it is the painting The Roundhouse, Kingston, New York by Charles Rosen.

At first glance, this work is an industrial scene set in Kingston, New York. Among the other buildings shown in the painting, a roundhouse sits in the foreground, which was a building used for servicing locomotives. They were built as early as the 1830s and few remain today.

In looking closer, this work really isn’t about the subject matter; it’s about the interplay of forms and lines.  With the use of vertical, horizontal and diagonal lines, Rosen is creating movement between the forms. The composition is balanced, all the while giving us a slightly awkward perspective of the scene below. The combination of these forms and lines creates a painting alive with order and rhythm. Read More »

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