Categories
- Ali and Elvis: American Icons
- Apps
- Art Speaks: Contemporary Connections with the BCIU Collection
- Artworks
- Audio Tour
- Behind the Scenes
- Contests
- Director's Spotlight
- Ellis Island: Ghosts of Freedom
- Exhibitions
- Facing Out, Facing In
- Icons of Costume: Hollywood's Golden Era and Beyond
- Internships
- Lesson Plans
- Mystery Image
- News
- Offering of the Angels: Treasures from the Uffizi Gallery
- Permanent Collection
- Programs
- Summer Internships
- Video
Author
Medium
Genre
Artists
- Alan Goldstein
- Alan Magee
- Anne Yost Whitesell
- Arthur Meltzer
- Artist Unknown
- Astrid Bowlby
- Charles Evans
- Charles Rosen
- Clarence Carter
- Daniel Garber
- David Graham
- Edward Hicks
- Edward W. Redfield
- Emmet Gowin
- Eric Berg
- Fern Coppedge
- H. Scott Heist
- Harry Leith-Ross
- Helen Frankenthaler
- John Fulton Folinsbee
- Joseph Crilley
- Joseph Pearson
- Josh Dudley
- Julius Bloch
- Kuramstonev
- Lloyd Raymond Ney
- Louis Stone
- Mavis Smith
- Patricia Goodrich
- Paul Keene
Style
Archives by Date
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
- October 2010
- September 2010
- August 2010
- July 2010
- June 2010
- May 2010
- April 2010
- August 2009
- July 2009
Director’s Spotlight: Discovering the Michener’s First Fake
(Attributed to) Franz Kline (1910-1962), Untitled, n.d., oil on canvas, H. 58 x W. 68 inches, James A. Michener Art Museum. Gift of Mari and James A. Michener.
When I first arrived at the Michener in 1989, the museum’s collection was virtually non-existent. The collection held fewer than 50 objects and most were not high quality. The only paintings of note were a small group of Abstract Expressionist canvases which Jim Michener had left in his Bucks County home. In the 1960s, Jim Michener had built an excellent collection of American paintings, the bulk of which had been given to the University of Texas at Austin. Among the works that had been left in Jim’s Pipersville home were paintings by Karl Knaths, Grace Hartigan, Kyle Morris, Helen Frankenthaler and the prized object, a large (58 x 68) untitled canvas by Franz Kline. Kline, who died in 1961 at the age of 51, was a giant of the New York School who, along with Jackson Pollock and Willem de Kooning, came to symbolize the power and vitality of postwar American Abstract Expressionism. Read More »