Happy New Year everyone! Here is the first Mystery Image for 2012.
The first person to correctly name the title and the artist of this work in response to this blog posting will win a pair of general admission passes to the Museum.
Happy guessing!
Happy New Year everyone! Here is the first Mystery Image for 2012.
The first person to correctly name the title and the artist of this work in response to this blog posting will win a pair of general admission passes to the Museum.
Happy guessing!
Here is this month’s mystery image! Can you identify what this work might be?
The first person to correctly name the title and the artist of this work in response to this blog posting will win a pair of general admission passes to the Michener!
Hint: This object in the galleries has a supporting role.
Good luck!

Louis Stone, On Parade, n.d., oil on canvas, H.40,25 x W.60 inches. James A. Michener Art Museum. Gift of Janet L. and Lawrence C. Stone.
It’s hard to believe that we are already at the end of November, and I am embarrassed to say that we were delayed in revealing September’s Mystery Image. This image is a section of a larger painting entitled, On Parade by Louis Stone. I asked our Education Intern, a student from the University of Pennsylvania, to write about this work. Thanks Ali for taking the time to look closer at On Parade! – Adrienne N. Romano, Director of Education and New Media
What do you see in this work? I spy a cupcake. I spy a pair of blue eyes and two Groucho Marx eyebrows. I spy a smile, a swooping arm and a mitten-hand. No one sees the same thing and that is what makes it fun to look at a work like this! Read More

Charles Rosen (1878-1950), The Roundhouse, Kingston, New York, 1927, oil on canvas, H. 30.125 x W. 40.25 inches, James A. Michener Art Museum. Gift of the John P. Horton Estate.
For those of you who were stumped on October’s mystery image, it is the painting The Roundhouse, Kingston, New York by Charles Rosen.
At first glance, this work is an industrial scene set in Kingston, New York. Among the other buildings shown in the painting, a roundhouse sits in the foreground, which was a building used for servicing locomotives. They were built as early as the 1830s and few remain today.
In looking closer, this work really isn’t about the subject matter; it’s about the interplay of forms and lines. With the use of vertical, horizontal and diagonal lines, Rosen is creating movement between the forms. The composition is balanced, all the while giving us a slightly awkward perspective of the scene below. The combination of these forms and lines creates a painting alive with order and rhythm. Read More
January’s Mystery Image Revealed: Phillip L. Powell’s Door and Surround
Phillip Lloyd Powell (1919-2008), Door and Surround, 1967, Stacked carved softwoods, polychromed, James A. Michener Art Museum, Museum Purchase with Funds provided by Sharon B. and Sydney F. Martin.
Walking through the galleries, you can’t miss Phil Powell’s brightly colored door, carved with various designs and painted in shades of yellow, orange and red. This month’s mystery image captured a small segment of this door, currently installed in the Putman-Smith Gallery at the Museum. This door was part of Powell’s earliest residence in New Hope, PA.
In looking closely at this work, it reminds me of various doors to buildings I have seen in my travels over the years. The door’s characteristics remind me of the carvings and decorative elements found in the architecture of Spain, such as in the Alhambra in Granada and the Alcázar in Seville. It also reminds me of doors and grand entrances I encountered in India, such as the Taj Mahal in Agra and the Jama Masjid in Delhi. This work also echos the same feeling and presence found in the doors of Gothic cathedrals in France, such as in the Cathedral at Rouen, painted by the French Impressionist, Claude Monet in the late 1800s. So, it’s no surprise that the travels that Powell made to countries such as Spain, Portugal, England, Sicily, India, and Morocco, were a key part of the artist’s creative inspiration for his work. He took the carvings and decorative elements of these cultures and infused them to create his own personal style. He stated, ““travel influences my work the most – for the awareness of what’s been done.” Read More »