Monthly Archives: June 2012

A Director’s Farewell

Bruce and Jo Katsiff on their BMW motorcycle many years ago. Bruce will continue his ride as artist/photographer after he leaves the museum.

Bruce and Jo Katsiff on their BMW motorcycle many years ago. Bruce will continue his ride as artist/photographer after he leaves the museum.

More than four decades ago, a young Central High School boy and his then girlfriend would ride their Vespa motor scooter to the Philadelphia Museum of Art. From the top of those infamous stairs, the two would gaze at the city below, dreaming of their lives together, and their place in the arts. The engine started again, and what ensued was a wild ride through more than 40 years in the arts.

That boy – the son of a Philadelphia butcher and seamstress – got his feet wet in the darkroom of the same high school that stoked the art careers of Thomas Eakins and William Glackens. The young man continued his studies of photography at Rochester Institute of Technology and Pratt Institute, getting his work exhibited at the Museum of Modern Art along the way.

As many of you know, that boy – me — went on to an academic career, spending two decades establishing the art and music department at Bucks County Community College before joining the Michener as director. In fact this institution was an arts center before I officially changed the name, and focus, to the James A. Michener Art Museum. Read More »

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From the Intern’s Desk: Reflections on the Cartoons of Tony Auth

Tony Auth, Grim Reminder, October 2, 2009, Ink on paper, H. 11 x W. 13 ½. Collection of the Tony Auth Archive.

Tony Auth, Grim Reminder, October 2, 2009, Ink on paper, H. 11 x W. 13 ½. Collection of the Tony Auth Archive.

As an intern at the Michener Art Museum for the summer, it has been a huge learning experience for me to work here and prepare for the newly installed Tony Auth exhibit, To Stir Inform and Inflame: The Art of Tony Auth. My job pertains to education and new media, which has allowed me to research a lot of Tony Auth’s work and consider how best to present it to young visitors. Auth’s work presents an interesting challenge for young viewers in that it discusses very significant and controversial topics in a medium which is most relevant to a very young audience. The innocence of the cartoon is something I think our society has assumed based on the prevalence of children’s shows and the Sunday paper, but historically the cartoon has been used as political propaganda, and understudies for major works of art. Tony Auth’s work effectively utilizes the cartoon as a tool for reconsidering current events and the general political atmosphere of our country, while using the simplified drawing techniques to satirize his figures. In looking at his work, what characters has he created that you especially appreciate? What makes them humorous or telling? Read More »

Posted in Artworks, Exhibitions, Internships, To Stir, Inform and Inflame: The Art of Tony Auth | Tagged

Who Has Time to Look at the Art?

Looking at artIn this hectic world, we all want to multitask and get things done as quickly as possible. With advancements in technology, we can work faster and always be “connected.”  But working faster doesn’t necessarily work better. We are getting more and more information on a daily basis, and we have to train our brains on what to take in and what to leave behind.  How does this information overload change the way we interact and get things done? How we socialize? How we read? How we visit museums?

Museums today provide so many points of entry in understanding and interpreting exhibitions. They provide multiple forms of access for many different audiences. There are so many more resources available for the visitor. Visitors can not only experience exhibits onsite in a multitude of ways, but also have more ways to connect with museums via online tools and social media. In exhibitions, visitors have a menu to choose from: text panels, family guides, apps for phone and tablets, docent-led tours, mobile/cell phone tours, interactive games, social networking groups, programs for different audiences and more. Sometimes visitors can even take an active role in the exhibitions themselves by co-creating content. Technology has changed the way visitors interact with museums and how museums interact with visitors.

So what does this mean for the artwork on the wall? Read More »

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An Artist’s Creative Process: The Sketchbook

William L. Lathrop, 1859-1938, Lathrop Sketchbook #9, 1898-1904, pencil on paper, H. 8.5 x W. 5.25 inches, James A. Michener Art Museum. Gift of Tom Buckley.

William L. Lathrop, 1859-1938, Lathrop Sketchbook #9, 1898-1904, pencil on paper, H. 8.5 x W. 5.25 inches, James A. Michener Art Museum. Gift of Tom Buckley.

I love learning about an artist’s creative process. So many artists have different approaches to their work and half the fun is learning about how they got to their final piece. Ideas can come to artists in a number of ways. Depending on what media they work in, artists often begin their work with a sketch.

Artists often use sketchbooks to draw their observations, take notes, or write down an idea that might come to mind. William L. Lathrop was one such artist, and with his sketchbook, we can get a glimpse into his working method. His sketchbook includes drawings of figures, landscapes, and interior scenes with notes. Although he sometimes painted direct from nature, he preferred to finish his landscapes in his Phillips’ Mill studio, drawing upon his memory of a scene.

Contemporary artist Rob Evans uses many sketches to begin his work and ideas for his pieces can evolve over time. In his large three-panel painting, Cicada, he creates a narrative scene based on a childhood memory. The idea for the painting began in 1981 with a small sketch. He later continued his sketches into the mid-1990s, until he began the painting in 1998 and worked on it through 2001. Read More »

Posted in Permanent Collection, To Stir, Inform and Inflame: The Art of Tony Auth, Video | Tagged